Art as a social system: The sociological aesthetics of Niklas Luhmann

Hdl Handle:
http://hdl.handle.net/10149/96276
Title:
Art as a social system: The sociological aesthetics of Niklas Luhmann
Authors:
Rampley, M. (Matthew)
Affiliation:
University of Teesside
Citation:
Rampley, M. (2009) 'Art as a social system: The sociological aesthetics of Niklas Luhmann', Telos, 148, pp.111-140.
Publisher:
Telos Press
Journal:
Telos
Issue Date:
2009
URI:
http://hdl.handle.net/10149/96276
DOI:
10.3817/0909148111
Abstract:
The work of Niklas Luhmann represents perhaps the last major body of social theory of the twentieth century. Beginning with Social Theory or Social Technology: What Does Systems Research Achieve? jointly published with Jürgen Habermas in 1971, Luhmann spent the following three decades up until his death in 1998 laying out the basis for a comprehensive theory of social systems.1 The author of some sixty books and three hundred and eighty essays and articles, Luhmann has had an enormous impact on social and cultural theory in the German-speaking world. In Britain and North America, however, he remains a relatively marginal figure.
Type:
Article
Language:
en
Keywords:
Luhmann, Niklas; social; Habermas, Jürgen; cultural; theory; Germany
ISSN:
0090-6514; 1940-459X
Rights:
No publisher policy information on http://www.sherpa.ac.uk/romeo/ [Accessed 12/04/2010]
Citation Count:
0 [Web of Science and Scopus, 12/04/2010]

Full metadata record

DC FieldValue Language
dc.contributor.authorRampley, M. (Matthew)en
dc.date.accessioned2010-04-12T11:01:27Z-
dc.date.available2010-04-12T11:01:27Z-
dc.date.issued2009-
dc.identifier.citationTelos; 148: 111-140en
dc.identifier.issn0090-6514-
dc.identifier.issn1940-459X-
dc.identifier.doi10.3817/0909148111-
dc.identifier.urihttp://hdl.handle.net/10149/96276-
dc.description.abstractThe work of Niklas Luhmann represents perhaps the last major body of social theory of the twentieth century. Beginning with Social Theory or Social Technology: What Does Systems Research Achieve? jointly published with Jürgen Habermas in 1971, Luhmann spent the following three decades up until his death in 1998 laying out the basis for a comprehensive theory of social systems.1 The author of some sixty books and three hundred and eighty essays and articles, Luhmann has had an enormous impact on social and cultural theory in the German-speaking world. In Britain and North America, however, he remains a relatively marginal figure.en
dc.language.isoenen
dc.publisherTelos Pressen
dc.rightsNo publisher policy information on http://www.sherpa.ac.uk/romeo/ [Accessed 12/04/2010]en
dc.subjectLuhmann, Niklasen
dc.subjectsocialen
dc.subjectHabermas, Jürgenen
dc.subjectculturalen
dc.subjecttheoryen
dc.subjectGermanyen
dc.titleArt as a social system: The sociological aesthetics of Niklas Luhmannen
dc.typeArticleen
dc.contributor.departmentUniversity of Teessideen
dc.identifier.journalTelosen
ref.citationcount0 [Web of Science and Scopus, 12/04/2010]en
or.citation.harvardRampley, M. (2009) 'Art as a social system: The sociological aesthetics of Niklas Luhmann', Telos, 148, pp.111-140.-
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